This piece, the second in my Anonymous series, represents a deep exploration of identity—by stripping it away entirely. Inspired by Malevich’s White on White, I wanted to push further, removing as much of myself as possible from the work. I wanted to create a piece that exists purely in its form and material, without the burden of interpretation tied to me as the artist.
The thick strokes of white paint, smeared and sculpted, are intentionally raw and unrefined, echoing the act of creating something with no clear identity.

This series is my way of stepping back, allowing the work to breathe without my presence. It’s about creating something unmarked by ego or identity, something that’s just… there. It’s raw and bare, not because I lack a voice, but because I’m choosing silence over expression. Through that silence, I hope to reveal the purity of form, a place where the viewer can reflect on the absence and fill it with their own interpretation.